round the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I'm with you that there can be anything as still
as solemn as unpleasently definitive as statuary when right in front of it
in the warm New York 4 o'clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all; just paint
you suddenly wonder why in the world anyone ever did them I look
at you and I would rather look at you than all the portraits in the world
except possibly for the 〃Polish Rider〃 occasionally and anyway it's in the Frick
which thank heavens you haven't gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the 〃Nude Descending a Staircase〃 or
at a rehearsal a single drawing of Leon
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